In ancient Greece

In ancient Greece there was once a matriarchal society. We know this because it is evident in the literature that has passed into our hands and from the religions of these ancient peoples. While this evidence is before us the reason for the change to a patriarchal society is not so evident. Very little information exists on the subject, possibly because the change was so violent in some cases. Robert Graves tells us ancient Europe had no gods. The Great Goddess was regarded as eternal and unchanging. Fatherhood held no meaning for these peoples because it was at a later time that they discovered that a man was needed to produce a child. All over the world we can encounter these mother goddesses. The women were considered omnipotent and the priestess of a village was usually the queen. She took lovers for pleasure, not for a father for her children, as the children of a community were considered sacred gifts from the goddess. Men revered and respected the marvel and power of women and adored the matriarch, her hut or temple being the earliest social center. Thus the first victim of a Greek public sacrifice was to Hestia. Hestia was goddess of the hearth and it is her decree that suppliants must be protected in her name (Graves 75). She is most often depicted as the raised white mound of ash that protects live coals without producing smoke. This great goddess was !instilled in every facet of the Greek household. The goddess is also depicted as the moon as well as the sun. The moons phases of new, full, and old recall the matriarchs phases of maiden, mother, and crone. The sun also runs its course of spring (maiden), summer (mother), and winter (crone). Thus the goddess became associated with animal and plant life through these natural phenomena. The moon controls the tides and migratory sea animals while the sun controls the harvest and the hibernation periods of many animals. The goddesss li...

The Purpose of the Narrative Arc in Literature

The Purpose of the Narrative Arc in Literature Sometimes simply called arc or story arc, narrative arc refers to the chronological construction of plot in a novel or story. Typically, a narrative arc looks something like a pyramid, made up of the following components: exposition, rising action, climax, falling action, and resolution. A Five-Point Narrative Arc These are the five elements used in a narrative arc: Exposition: This is the beginning of the story in which characters are introduced and the setting is revealed. This sets the stage for the story to play out. It usually includes who, where, and when. You may also be introduced to the main conflict that will propel the story, such as issues between different characters.Rising Action: In this element, a series of events that complicate matters for the protagonist creates a rise in the storys suspense or tension. The rising action may further develop the conflict between the characters or the characters and the environment. It may contain a series of surprises or complications to which the protagonist must react.Climax: This is the point of greatest tension in the story and the turning point in the narrative arc from rising action to falling action. The characters are deeply involved in the conflict. Often, the protagonist has to make a critical choice, which will guide his or her actions in the climax.Falling Action: After the climax, events unfold in a storys plot and there is a release of tension leading toward the resolution. It can show how the characters have been changed due to the conflict and their actions or inactions. Resolution: This is the end of the story, typically, in which the problems of the story and of the protagonists are resolved. The ending doesnt have to be a happy one, but in a complete story, it will be one that feels satisfying. Story Arcs Within a larger story, there can be smaller arcs. These can flesh out the stories of characters other than the main protagonist and they may follow an opposite course. For example, if the protagonist story is rags to riches, his evil twin may undergo a riches to rags arc. To be satisfying, these arcs should have their own rising action, climax, falling action, and resolution. They should serve the overall theme and subject of the story rather than being superfluous or appearing to simply pad the story. Smaller arcs may also be used for maintaining interest and tension by introducing new stakes in the conflict of the main protagonist. These plot complications increase tension and uncertainty. They can keep the middle of a story from becoming a predictable slog towards a typical resolution. Within episodic literature and television, there may be a continuing story arc that plays out over a series or season as well as self-contained episodic story arcs for each episode. Example of a Narrative Arc Lets use ​Little Red Riding Hood as an example of a story arc. In the exposition, we learn that she lives in a village near the forest and will be visiting her grandmother with a basket of goodies. She promises not to dawdle or talk to strangers on the way. In the rising action, she nevertheless does dawdle and when the wolf asks where she is going, she tells him her destination. He takes a shortcut, swallows the grandmother, disguises himself, and awaits Red. In the climax, Red discovers the wolf for what he is and calls out for rescue from the woodsman. In the falling action, the grandmother is recovered and the wolf is defeated. In the resolution, Red realizes what she did wrong and vows that she has learned her lesson.